2009/01/30

2009最新作品,第一次嘗試非電影,橫跨兩年的計劃,終於到收成期,有點緊張.

PROJECT RED EXHIBITION -殷赤緋丹紅
2009年2月6日至2月22日
@灣仔軒尼斯道302-308號集成展館

2009/01/10

10部最影嚮我的電影

  1. 木屐樹
  2. Psycho (黑白, 希治閣)
  3. 沙漠梟雄
  4. 香港製造
  5. Pulp Friction
  6. The Son
  7. 黃土地
  8. 美國心
  9. 波特金戰艦

2007/06/21

Is Hong Kong today more creative than ten years ago

Comparing creativity?
Creativity comparison?
Problems of Creativity?
Awareness towards creativity?
Such non-ending talks about “creativity” is getting annoying and disgusting. This word “creativity” somehow gets on my nerves and casts shiver over my skin.

10 years ago, it seems that this word “creativity” was basically non-existent among cultural discussions. Could we say that we were not creative at that time? We still lived and enjoyed life and visited shows and cinemas and talked about them as we do nowadays. We still wrote and painted and sang as we do nowadays.

The over-dosage of “creativity” had made it a word that equals “hope”, equals “future” and in some sense equals “love”.

The fact is: we are overwhelmed with fear – particularly the fear of losing. We are no more as bold to talk about ourselves. We are self-censoring. We are not naughty enough. We are not fun enough.

“Creativity” has turned into a curse like the tightening golden ring over Money King’s head!

2006/02/26

@Location


導演現場,現場導演.
一個導演在現場,幹什麼?作愛.
與一班專業人員一起工作有如做愛般愉快.
拍電影最重要是在現場,沒有現場一切都祗是構思,祗是文字,祗是虛幻.
沒有現場,沒有導演,沒有真實.
現場是生活,現場是浪漫,現場是傳奇.
祗有在現場,才有存在.
(一個導演自白書)

2006/02/18

ABSeaside

















終於找到你了,你知道我找你很久呢!
作為導演買回自己作品,感覺有如一個尋自己所愛的小影迷.
現在是DVD了,相信更多人發現你,愛上你.

2006/02/16

@17













@17 是我與電影培訓計劃眾學生合作的一部短片.
(我另一部以17為名的電影是17歲的夏天)
將在18/2電影資料館放映一場,今次是畢業禮首映後第一次公開放映. 重看又重看,太多缺陷:套底片時剪錯的膠紙痕,配音不對咀等等..
還有今次以錄影帶投射放映,與上次校內的數碼放映,同樣要在放映前先為放映機調教.
有太多不準確性,最後版本都沒法確定.
電影就是如斯多遺憾!
每一步都需要堅持呢!